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Pierre Kwenders
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Fanny Viguier
Fanny Viguier
Diego Urbina
Fanny Viguier
Fanny Viguier
PK - Presse 2
Diego Urbina

Afro-Canadian singer/songwriter Pierre Kwenders’ music is a response to a world that so often asks people who fit comfortably in multiple boxes to pick only one. In the fall of 2020, the Montreal-based musician unveils Classe Tendresse, a collaborative EP created with French producer Clément Bazin. This mini-album carries the listener into a state of gentle and joyous nostalgia. Over percussive rhythms, Pierre explores homesickness, tormented farewells and a grandiose love for his homeland and his brothers and sisters.

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Awards & Recognition
  • Winner in the category World EP/Album of the Year for Classe Tendresse (in collaboration with Clément Bazin), GAMIQ (2021)
  • Nominated in the category International Collaboration of the Year with Clément Bazin for the EP Classe tendresse, ADISQ. (2021)
  • Nominated in the category Lighting Design and Projections of the Year (June Barry) for Pierre Kwenders @ Festival de Jazz, ADISQ. (2021)
  • Nominated in the category Set Design & Stage Direction of the Year (Pierre Kwenders) for Pierre Kwenders @ Festival de Jazz, ADISQ. (2021)
  • Nominated in the category Online Performance of the Year - English/other languages/Indigenous languages for Pierre Kwenders @ Festival de Jazz, ADISQ. (2021)
  • Félix Award for World Music Album of the Year at the 2018 ADISQ Gala for MAKANDA at the End of Space, the Beginning of Time
  • Winner of the Electro Album of the Year Award for Le Dernier Empereur Bantou at the 2015 GAMIQ
  • Felix Award of Music Video of The Year at the 2015 ADISQ Gala
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Press Quotes

Pierre Kwenders’ second album, produced by Shabazz Palaces’ Tendai Maraire, is a wildly inventive, globe-spanning triumph.

Jonathan Zwickel, Pitchfork

[…] la magie de Pierre Kwenders […] tient à cette façon de multiplier les registres sans se disperser, sans brouiller les pistes. Pierre Kwenders a toujours fait de la pop, en fait. Mais une pop quasi expérimentale à force de tester l’improbable, le jamais fait avant.

Les Inrocks

À la fois subtil et percutant, ce métissage pourrait positionner Pierre Kwenders parmi les artistes les plus intéressants de la diaspora africaine en Occident.

Alain Brunet, La Presse

The style of the Congolese-Canadian Montrealer is a trippy mash of circling African motifs, old-school hip hop, sophisticated R&B and slyly thumping house music. […] At the end of space and the beginning of time, Kwenders has carved out a distinctive new niche.

The Globe and Mail

Il est canadien mais invente l’Afrique électronique, peut rapper en cinq langues et s’imposer en première partie d’Arcade Fire. [...] Dites bonjour à Pierre Kwenders, votre nouvelle obsession.


[Pierre Kwenders] demonstrated an awareness of the value of stage pageantry, and hinted at a wellspring of power from his excellent sophomore album MAKANDA at the End of Space, the Beginning of Time: his sincere belief that connection, between seemingly disparate musics and people, is possible.

ManagementHervé Kalongo