With her folk compositions as dark as they are touching, Safia Nolin has been captivating critics and audiences for several years now. Emotional and sincere, her lyrics inspire and reveal her unique world.
Safia Nolin, singular figure on the contemporary artistic scene, embodies a powerful political voice. Her journey is one of identity-seeking—an exploration of difference and marginality. As a racialized, lesbian woman who resists artistic conformity, she challenges societal norms and expectations. Her aesthetic, both raw and poetic, celebrates imperfection and authenticity.
Reprises Vol.3 is rooted in the nostalgia of high school in 2006. It brings together Safia in 2006—who has just dropped out of school—and Safia in 2026, an independent adult who is deeply grounded both musically and mentally.
Like the previous two volumes, it is a call to reconnect with ourselves and our memories—an album shaped as much by grunge as by the success of Aucun Regret.
Du folk fragile de naufragé, des chansons bouteilles à la mer auxquelles on a pu s’accrocher comme à des bouées.
Les InrocksThere’s a sensitivity that’s fantastic. It’s tough. It’s real. But melodically, it’s so strong that it brings you somewhere else altogether. I love this woman. She’s completely different from everyone else. And she’s super young.
Laurent Saulnier, Francos de Montréalun deuxième album étincelant […] treize chansons folk frappantes de vérité […] un album généreux, gorgé de chansons écorchées.
TSUGIDans le noir is a collection of scathing, no-holds-barred mostly stripped-down folky tunes that is anything but light, fluffy pop fare. It’s also pretty great. […] it’s a strong collection.
Brendan Kelly, The Montreal GazetteElle a un talent fou pour communiquer quelque chose de super intime qui se passe au fin fond d’elle-même […] une poésie super intéressante sur une musique très dépouillée, presque lo-fi, presque grunge.
Rebecca Makonnen, Esprit critiqueNolin has written 13 raw songs about failed relationships and self-image, her beautiful voice breaking your heart with each verse she finishes.
Holly Gordon, CBC Music