Magi Merlin [pronounced Mahd-j-eye] calls her sound ‘Broken R&B’, but really, it’s whatever she feels like breaking down and rebuilding in the studio. From indie pop and ’90s house to R&B, hip-hop and jazz, it’s a collage where the glue often is a masterful use of harmonies and a clever juxtaposition of lyrical lightness and depth.
Magi Merlin [pronounced Mahd-j-eye] calls her sound ‘Broken R&B’, but really, it’s whatever she feels like breaking down and rebuilding in the studio. From indie pop and ’90s house to R&B, hip-hop and jazz, it’s a collage where the glue often is a masterful use of harmonies and a clever juxtaposition of lyrical lightness and depth.
She now enters a new era with POPSTAR, a fierce, declarative single that reframes fame as responsibility. The track positions the popstar not as a savior, but as a messenger, inspiring listeners and reminding them that real change happens collectively. In addition to being a writer, composer and co-producer behind this new work, she has also taken the lead on art direction, aiming to use her keenness for fashion and storytelling to build a visual universe that’s as intentional, infectious and self-defined as her sound.
After her 2022 EP Gone Girl, the Montreal-based artist gained praise from outlets including Bandcamp Daily, The FADER, The Line of Best Fit, and Nylon, which led to touring with Noga Erez and a LATAM date with Omar Apollo. Ever since, Merlin has kept busy, working on new music, releasing singles and a smaller surprise project: A Weird Little Dog, which dropped as she began a US tour supporting saxophonist Nubya Garcia. She then reworked IDLES’ POP POP POP, flipping it into a club banger which she performed live for Glamcult TV. She’s made continuous festival appearances at Osheaga, Festival d’Été de Québec (opening for Ty Dolla $ign), Treefort, Reeperbahn, Montréal Jazz Festival while simultaneously making her acting debut in Mile End Kicks (with Barbie Ferreira, Devon Bostick and Juliette Gariépy). Magi Merlin continues to unveil her work as a creative powerhouse, one layer at a time, every move pointing toward a larger body of work soon to be released to the world.
Still, despite its danceable qualities, Gone Girl exudes the rage and exasperation that many Black women feel in today’s climate. With this EP, Merlin perfectly marries the complexity of her experiences to the groove of the beat.
BandcampIt's soulful, funky, irreverent and gritty.
Kelsey Adams, CBCMerlin made it clear that she is here to stay.
Exclaim!Redoutablement efficace.
Philippe Renaud, Le DevoirCette jeune artiste fait tant de progrès, en si peu de temps, qu’il est permis de croire à une éclosion internationale dans un avenir proche.
Alain Brunet, PAN M 360Honest, brazen, and laced with wit.
The Line of Best Fit